- Pinnacle video capture card mac os#
- Pinnacle video capture card serial#
- Pinnacle video capture card upgrade#
- Pinnacle video capture card pro#
Pinnacle video capture card mac os#
Mac OS 9 or Mac OS X?Ĭapture cards are complex, and the more features they offer, the more challenging it is to develop the software drivers for them. You can determine your desired level of compression exactly, and the resulting offline clip quality is respectable, even at data rates much lower than the D1 64AV’s and the CineWave’s offline features. (Digital Voodoo’s D1 64RT, which was released too late for review, has additional real-time effects.)īut when it comes down to it, there’s no contest: the IgniterRT reigns supreme here, using its MJPEG-A codec for multiple levels of offline quality. Presently, it can’t perform a RT dissolve between two clips the D1 64AV, an older board, offers even less in terms of RT effects it’s capable only of simple RT dissolve transitions. Reviews, May 2002) new three-way color corrector in real time - this is definitely handy - and it has a few additional RT color effects, including a tinting effect.
Pinnacle video capture card pro#
The IgniterRT can handle Final Cut Pro 3’s (4.0 mice. (AJA says more RT effects will be added in future free software upgrades.)īoth the IgniterRT and the D1 64AV are single-stream cards and have fewer RT effects. The only other card with dual-stream capabilities is the Kona SD, whose accompanying software currently offers 11 dissolve and color effects. However, to unlock any of its powerful effects, you’ll need to part with $2,495 for Pinnacle’s RT software upgrade. You can even add keyframeable RT effects and filters - such as color balance, tint, opacity, and scale - to these simultaneous streams. With its dual-stream system, the CineWave Classic can play back either two streams of video and one graphics track with an alpha channel, or one video stream with two graphics layers. Real-time (RT) effects are the ultimate time-saver, and in this arena, the CineWave Classic is the clear champ.
Pinnacle video capture card upgrade#
The IgniterRT has a unique $3,999 film-option upgrade for converting telecined video footage from its 30-frame sequence to the film’s original 24 frames per second and the CineWave Classic card can even step up to high-definition editing with the addition of the $9,995 HD BOB. To gain SDI inputs, for example, you’d have to add an SDI BOB, which costs $1,295 from Pinnacle and $2,999 from Aurora.Īdditionally, these cards have upgrade options that significantly expand their capabilities. You add functionality to these cards through BOBs - connection boxes tethered to the capture card - and/or daughter cards. Unlike the Kona SD and D1 64AV, the IgniterRT and CineWave Classic are base cards without built-in video inputs. Both cards have a desktop-mirroring ability for routing a desktop workspace to a video monitor. If you want to work with composite video, you’ll need to connect a composite-to-SDI converter to the card.
Pinnacle video capture card serial#
Meant for high-end work, these cards have only serial digital interface (SDI) video inputs and AES audio connections. The Kona SD and D1 64AV are standard capture cards with built-in video and audio inputs. Of the four capture cards we tested, there are two types: standard cards and breakout box (BOB) cards. The cards performed as promised, so their individual features are what set them apart. Our test systems were an 867MHz Power Mac G4 and a dual-1GHz Power Mac G4, each with 1GB of RAM, an Ultra-160 SCSI RAID, an ATA-133 hardware RAID (for comparison), and a digital beta video source. But be aware that you’ll need peripheral equipment to support them: an Ultra-SCSI RAID is a must for the data rate these cards produce, and to control your videotape deck, you’ll also need an RS-422 serial port. Choosing the right card can be daunting, though, since there is more to consider than just image quality.įinal Cut Pro supports four capture cards: AJA Video Systems’ Kona SD, Aurora Video Systems’ IgniterRT, Digital Voodoo’s D1 64AV, and Pinnacle Systems’ CineWave Classic. PCI video-capture cards allow editors to capture and edit uncompressed and even high-definition video and graphics. Final Cut Pro works admirably as a software-based, nonlinear editor, but adding hardware to the mix can expand its capabilities.